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Jrgen Madsen Lindemann
CEO & President
Modern Times Group
Entertainment Across The Board
5 business segments
Sweden
Norway
Denmark
Estonia
Latvia
Lithuania
Bulgaria
Czech Republic
Hungary
Ghana
4 satellite platforms
Virtual operator in 3rd party networks
20 channels 5 satellite platforms Baltics, Ukraine & Russia
19 channels on 3rd party networks
9 Free-TV channels
Free-TV
Scandinavia
Pay-TV
Nordic
Free-TV
Emerging Markets
Pay-TV
Emerging Markets
Radio
Modern Studios + MAP
Other
Businesses
2
Integrated Group
With a Global footprint
3
32 free-TV channels in 10 countries
Satellite pay-TV platforms in 9 countries
85 million wholesale channel subscriptions
in 34 countries 3
Clear Content Leadership
TV series, movies & premium
sports
4
Local titles
5
Complementary revenue streams
Cyclical & non-cyclical balance
0%
10%
20%
30%
40%
50%
60%
70%
80%
90%
100%
2006 2007 2008 2009 2010 2011 2012
Free-TV Scandinavia Pay-TV Nordic
Emerging Markets
42.0%
49.0%
9.0%
Advertising
Subscription
B2B / B2C
MTG Revenue split by source (2012) Revenue split by segment (2012)
Operational synergies by centralised broadcast facilities
Cross-platform content acquisition makes us a more attractive partner for content providers
Content monetized on free-TV, pay-TV & online & benefits from full exclusivity
Benefits from cyclical advertising growth mixed with stable pay-TV revenues
Stable Business Model
With long-term profitable growth
6
0%
5%
10%
15%
20%
25%
30%
35%
40%
45%
50%
0
2,000
4,000
6,000
8,000
10,000
12,000
14,000
16,000
Revenues EBIT* Margin
SEK million
Integrated structure enables Group growth through the whole macroeconomic cycle, with continued strategic content investments
Sales CAGR OF 10% between 2002-2012
EBIT CAGR of 35% between 2002-2012 excluding associated company income
Strong Financial Position
Increasing dividends & net cash
7
01,0002,0003,0004,0005,0006,0007,000
Liquid funds (incl. Unused credit facilities) Net debt
Net cash position as of Q1 2013 & SEK
6.5 billion of available liquid funds
SEK million
Increasing dividend yield
(SEK million)
Reinvesting on organic growth across our territories
Selective & opportunistic M&A in Nordic & Emerging markets
Focus on 3 key areas:
Content
Technology
Countries
363
498 600
667
2010 2011 2012 2013
8
Free-TV
Multichannel Media Houses
In 3 countries
9
0%
5%
10%
15%
20%
25%
30%
35%
40%
45%
50%
0
500
1,000
1,500
2,000
2,500
3,000
3,500
4,000
4,500
5,000
2008 2009 2010 2011 2012
Revenue EBIT EBIT margin
Sweden
0.0%
10.0%
20.0%
30.0%
40.0%
2011 2012
0.0%
10.0%
20.0%
30.0%
2011 2012
0.0%
10.0%
20.0%
30.0%
2011 2012
CSOV % (15-49)
Norway
Denmark
CSOV % (15-49)
CSOV % (15-49)
Financial Performance
SEK million
#2 position in Sweden & Denmark & #3 position in Norway
Advertising sold on a bundled Media House basis with complementary channel positioning
driving incremental reach
Key deals signed with Canal Digital & Boxer to extend reach of TV3 & TV3 PULS in Denmark
3rd channel to be launched in Norway in 2013
And Emerging Markets Portfolio
With room to grow further
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Estonia Latvia** Lithuania Czech
Republic Bulgaria Hungary Ghana Russia
Position #1 #1 #1 #2 #2 #3 - #4
Combined
commercial
audience share*
(target
demographic)
39.6%
(15-49)
61.1%
(15-49)
42.3%
(15-49)
38.7%
(15-54)
29.5%
(18-49)
8.6%
(18-49)
n/a
(15-49)
11%***
(6-54)
Sold on bundled
basis Yes Yes Yes Yes Yes Yes n/a n/a
Cath-up services No
* FY 2012
* * Including LNT channels from Q3 2012
*** CTC Network only
Emerging Markets
Operationally geared for recovery
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Free-TV Emerging Markets
(2012)
Czech Republic, Bulgaria, Baltics
(2012)
-500
0
500
1,000
1,500
2,000
2,500
2008 2009 2010 2011 2012
Revenue EBIT
-5%
0%
5%
10%
15%
20%
25%
30%
0
200
400
600
800
1,000
1,200
1,400
1,600
1,800
2,000
2008 2009 2010 2011 2012
Revenue EBIT EBIT margin
SEK million SEK million
Ongoing strategic investments in content to drive growth
Incremental margins >50% position the operations well for market recovery
Significant audience & market share gains in key Czech and Bulgarian territories during 2012 & new sales cooperations to expand bundled media house reach from 2013
Digitalisation Changes The Game
Even playing field presents
opportunities
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Sweden 1 Feb 2008
Denmark 1 Nov 2009
Norway 1 Dec 2009
Scandinavian TV landscape
(2011)
Cable 52% Satellite
19%
DTT 19%
IPTV 9%
Cable 55%
Satellite 19%
DTT 7%
Analogue Terrestrial
20%
Scandinavian TV landscape
(2005)
Opportunities of Digitalisation
We benefit from fragmentation
13
0%
10%
20%
30%
40%
50%
60%
70%
80%
Bonnier MTG SBS13
2003 2012
-2% +21% +8%
Source: MMS
Digitalisation pressures audience shares for major channels
Media house enables increased pricing power for smaller & niche channels
High power ratios provide barriers to entry to new competitors
0
5
10
15
20
25
30
35
40
45
50
TV3 TV4 Kanal 5 MTG TV4 Group SBS
FY 2002 FY 2012
Commercial audience share
(15-49, Sweden)
Average Weekly Reach
(15-49, Sweden) %
TV Viewing is Expanding Online
MTGs core audiences are early adapters
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0%
5%
10%
15%
20%
25%
30%
35%
40%
45%
50%
ComputerScreen
Mobile Phone TV-screen Tablet
92%
83%
1%
1%
16%
7%
Traditional TV Web-TV Mobile-TV
Age 15-24
+16%
+77%
+54%
+278%
Q1 2011 Q1 2012
Age 15-74
Viewing Platform Viewing by Device
With Added Revenue Streams
& higher pricing levels
15
-
10,000,000
20,000,000
30,000,000
40,000,000
50,000,000
60,000,000
2010 2011 2012 20130
50
100
150
200
250
300
350
400
450
2010 2011 2012 * 2013* 2014* 2015*
Online TV market Growth
(Sweden)
Number of streams on MTG TV
Play devices
AVOD revenue per viewer and per hour are higher than in traditional linear TV
Price = 2.8x higher online & even higher on mobile
SEK million
MTG Already Leading Online
We are leveraging our strong
traditional brands
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34.80%
36.70%
Linear Online
Online viewing higher than traditional
linear media house audience share
(Sweden, FY 2012)
Key free-TV brands launched online to
drive viewing & strenghten
engagement
Key free-TV brands launched online to
drive viewing & strenghten
engagement
Making Content Live Longer
By extending product life cycles
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Linear On-demand
Cross-promotion for brands & other formats
Editorial post-show content & talent
engagement
Channel viewers to other IPs via online
presence
Increased exposure & reach
Social media integration
Second screen drive engagement
Extends product life cycle
Extra content Previews & teasers
